'Femme Fatale' is now available to stream in Dolby Atmos format on Apple Music

[eddieeddie]

Check it out on Apple Music!

 

 

[Kiss my]

Omg omg omg - I need to sign up with Apple Music again 

[Kiss my]

What’s Inside Out and Gasoline like 

[eddieeddie]

On "How I Roll" now, it's the only song that feel "different" so far. They have changed the chord progressions. Its quirkier than ever haha!

All the songs so far have more prominent main vocals and updated production.

Edited December 6, 2023 by eddieeddie

[eddieeddie]

Sabi.... 

[blackingouthenegativity]

I'll listen, but if Cade doesn't rerelease In The Zone and Oops I Did It Again in Dolby Atmos soon, I'm turning on him

[Emil87]

Man if this was 2011 I’d be really excited about this. 

[blackingouthenegativity]

11 minutes ago, eddieeddie said:

All the songs so far have more prominent main vocals and updated production.

Only on TTWE and HIAM so far, but I agree. That's a good thing though. Some songs got botched on Circus in Dolby Atmos to where they sounded like demos.

At least so far on FF, there are subtle differences that bring out the modern elements in their instrumentals. 

[blackingouthenegativity]

The older I get, the more I like Inside Out. 

I hated it in high school, but that's what happens when you are a closeted bottom running from the truth

[eddieeddie]

"Selfish" is lit af!

"Don't keep me waiting" feels rockier and I had no idea Travis Barker played the drums. I've always loved the drums on it!

"He about to lose me" was hoping to hear more of her low vocals on the chorus but it feels like they turned it down even more.

[Toxic.Latin]

Inside Out had to be the last single and not flopiminal. That was all ur fault.

[blackingouthenegativity]

23 minutes ago, eddieeddie said:

On "How I Roll" now, it's the only song that feel "different" so far. They have changed the chord progressions. Its quirkier than ever haha!

 

I don't know how I feel about How I Roll. They messed with the piano in the verses, which used to be one of my favorite part of the instrumental.

[blackingouthenegativity]

Skipping Drop Dead Beautiful because I have principles

[blackingouthenegativity]

4 minutes ago, Toxic.Latin said:

Inside Out had to be the last single and not flopiminal. That was all ur fault.

Criminal is her biggest hit in the last few years though. There should have been 6 singles from FF and a 3-track rerelease instead of releasing Myah Lou

[eddieeddie]

5 minutes ago, blackingouthenegativity said:

I don't know how I feel about How I Roll. They messed with the piano in the verses, which used to be one of my favorite part of the instrumental.

I agree, always loved the simple piano chord progessions. I find the Dolby Atmos version quirkier tho. It's not wrong or bad, but it's different.

Edited December 6, 2023 by eddieeddie

[blackingouthenegativity]

Big Fat Bass had so much potential, but some parts were so demo-ish. It was too rushed and it didn't have any catching vocal hook/melody. Even Scream and Shout had the "oh-we-oh-we-oh-we-oh" that hooked in listeners. 

For those of us actively following Femme Fatale's development, we all know it was recorded last minute less than two months before FF came out when Britney used that deep talking voice that made her sound like she had the flu. 

 

[blackingouthenegativity]

Trouble For Me still slaps and remains criminally underrated

[Toxic.Latin]

14 minutes ago, blackingouthenegativity said:

Criminal is her biggest hit in the last few years though. There should have been 6 singles from FF and a 3-track rerelease instead of releasing Myah Lou

Having a hit ≠ Quality.

IO> Whominal

[blackingouthenegativity]

8 minutes ago, Toxic.Latin said:

Having a hit ≠ Quality.

IO> Whominal

Criminal is quality. It has a good hook and is an emotional midtempo.

Inside Out is cute but it sounds very similar to a lot of Dr. Puke's 2010's era songs. Criminal at least has a unique sound that clearly has generational appeal

[Math Carmignani]

I don't think I'm ready for this