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Britney’s “Sucker For Pain” Demo Has Finally Leaked In Full!

DignifiedLove

By DignifiedLove
in Britney Community

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DignifiedLove
DignifiedLove

It’s here.   Courtesy of Britney-Online.net  ENJOY!    

super.nova
super.nova

omg this is SO GOOD I CAN'T i feel like i need to now try BDSM.

warioaddams
warioaddams

Love it! The vocals remind me of the blackout demos like rebellion and let go. Way better than the original.

DignifiedLove Master

DignifiedLove

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1 minute ago, --- said:

it's so weird how they always fumble her releases and choose lesser songs for the album. i'm dying for mature music from her. blackout was successful because it wasn't childish. her team was always behind, it's such a waste of her potential.

Circus was technically more successful than Blackout yet one is more childish than the other, therefore your standpoint doesn’t exactly make sense. :cheese_Britney_awkward_cringe_eek: But yes, I agree. This track had major potential for Britney. Who knows what went wrong? :katycry_perry_crying_tears_sad_sobbing:

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1 minute ago, GODYONCE IS A LEGEND said:

Circus was technically more successful than Blackout yet one is more childish than the other, therefore your standpoint doesn’t exactly make sense. :cheese_Britney_awkward_cringe_eek: But yes, I agree. This track had major potential for Britney. Who knows what went wrong? :katycry_perry_crying_tears_sad_sobbing:

blackout got off the ground with almost zero presence from britney.

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DignifiedLove Master

DignifiedLove

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8 minutes ago, --- said:

blackout got off the ground with almost zero presence from britney.

What exactly you mean though? She was more present for Blackout than on Circus. She wasn’t the executive producer for nothing. I think you mean to say that Britney’s record label should have given her more artistic freedom which I agree. Even during Blackout — they still shelved a lot of her great material. If anything, Sucker For Pain resembles a lot of that shelved material, particularly from the Original Doll sessions. It has that raw, sultry, dark and mysterious vibe which many of us had wanted for years. I’d say the closest we got to that in the 2010s was Slumber Party but even then, we were robbed. :howiroll_beyonce_telling_talking_chatting_preaching_white_shirt_hands:

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Onyx_Zone-89 Experienced

Onyx_Zone-89

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20 minutes ago, --- said:

it's so weird how they always fumble her releases and choose lesser songs for the album. i'm dying for mature music from her. blackout was successful because it wasn't childish. her team was always behind, it's such a waste of her potential.

I truly believe britney  would have had her "respect " moment had she been allowed to evolve her artistry.  Alot of her unreleased songs would've been massive. In fact,  if I remember correctly she had all of the leaks around her breakdown.  I would argue that her music leaking saved her career along with blackout. She had so much potential with both her music and acting.  She still does, who knows if we still have a chance to see it. 

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Just now, GODYONCE IS A LEGEND said:

What exactly you mean though? She was more present for Blackout than on Circus. She wasn’t the executive producer for nothing. I think you mean to say that Britney’s record label should have given her more artistic freedom which I agree. Even during Blackout — they still shelved a lot of her great material. If anything, Sucker For Pain resembles a lot of that shelved material, particularly from the Original Doll sessions. It has that raw, sultry, dark and mysterious vibe which many of us had wanted for years.

the material on blackout tends to be more critically acclaimed than the music of circus. circus was a fully-loaded commercial vehicle, yet blackout still competes. britney was absent for majority of blackout's promotion and had little to do with it's public reception (aside from the controversy at the time). i mean to say exactly what i said, which is that mature music from britney tends to be received well. when her team oversteps, music is usually emotionally stunted and criticized. my point is that allowing britney to mature with her audience tends to lead to more positive reception than rehashing the default formulas of her past commercial successes.

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DignifiedLove Master

DignifiedLove

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6 minutes ago, --- said:

the material on blackout tends to be more critically acclaimed than the music of circus. circus was a fully-loaded commercial vehicle, yet blackout still competes. britney was absent for majority of blackout's promotion and had little to do with it's public reception (aside from the controversy at the time). i mean to say exactly what i said, which is that mature music from britney tends to be received well. when her team oversteps, music is usually emotionally stunted and criticized. my point is that allowing britney to mature with her audience tends to lead to more positive reception than rehashing the default formulas of her past commercial successes.

Definitely. I agree. You can tell a huge shift and downgrade from her quality of music, overall, in the 2010s when compared to the 2000s. Songs like ‘Sucker For Pain’ and ‘Slumber Party’ were a step in the right direction but like I said, we were truly robbed. The conservatorship absolutely stunted and emotionally affected her artistic growth. 

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1 minute ago, GODYONCE IS A LEGEND said:

Definitely. I agree. You can tell a huge shift and downgrade from her quality of music, overall, in the 2010s when compared to the 2000s. Songs like ‘Sucker For Pain’ and ‘Slumber Party’ were a step in the right direction but like I said, we were truly robbed. The conservatorship absolutely stunted and emotionally affected her artistic growth. 

agreed :tifftear_miss_ny_new_york_ms_crying_wipe_tears_sad:

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